Art and Ecology, Art Journal, Summer 1992
Art and Social Consciousness, Leonardo, Vol. 26, No. 5, 1993
Ästhetik des Immateriellen? Teil I, Kunstforum International,
Band 97, Nov./Dec. 1988
Ästhetik des Immateriellen? Teil II, Kunstforum International,
Band 98, Jan./Feb. 1989
Computer Art in Context, SIGGRAPH 1989, Leonardo, Supplemental
Issue, 1989
Digital Image/Digital Cinema, SIGGRAPH 1990, Leonardo, Supplemental
Issue, 1990
E.A.T. News, January 15, 1967, until 1968
E.A.T. Operations and Information, 1968-1969
E.A.T. Proceedings, No. 1, 1969 - No. 13, 1977
Electronic Art, Leonardo, Supplemental Issue, 1988
Die globale Revolution, Bericht des Club of Rome, Spiegel-Spezial,
Nr.1, Hamburg 1991
Im Netz der Systeme: Für eine interaktive Kunst: Ars Electronica,
Kunstforum International, Band 103, Sept./Oct. 1989
Leonardo, 1968 -
Radical Software, Raindance Foundation, 1970-1974
TECHNE (A Projects and Process Paper), 1969-1970
Wired, November 1993 -
II. Catalogues
3ème Semaine Internationale de Vidéo. Maison des Jeunes
et de la Culture, Saint-Gervais, Genève, 1989
Alan Sonfist 1969-1989. Brookville NY: Hillwood Art Museum /
Long Island University, 1989
Alaskan Impressions. Anchorage AL: The Visual Arts Center of
Alaska, 1986
American Landscape Video - The Electronic Grove. Pittsburgh:
The Carnegie Museum of Art, 1988
Andre, Buren, Irwin, Nordman: Space as Support. Berkeley CA:
University Art Museum, 1980
Arroyo Seco Release: A Proposal for Pasadena. Pasadena CA: Baxter
Art Gallery and California Institute of Technology, 1985
Atempause für den Save Fluss: Die Summe seiner Geschichte,
Beginn einer neuen Geschichte. Helen Mayer Harrison and Newton Harrison.
Berlin: Neuer Berliner Kunstverein in Zusammenarbeit mit dem Berliner Künstlerprogramm
des D.A.A.D., 1989
Artpark (1974-). Lewiston NY: The Program in the Visual Arts,
1974
ARTTRANSITION. Cambridge MA: Center for Advanced Visual Studies/MIT,
1975
Art for 25 Million People. Berlin: Deutscher Akademischer Austausch
Dienst, 1984
The Artist as Social Designer. Los Angeles: Los Angeles County
Museum of Art, 1985
Bill Viola. Paris: ARC Musée d'Art de la Ville de Paris,
1983
Bill Viola. New York: Museum of Modern Art, 1987
Bill Viola: A Survey of a Decade. ed. Marilyn Zeitlin, Houston:
Contemporary Arts Museum, 1988
Bill Viola: Unseen Images. ed. Marie Luise Syring, Düsseldorf:
Städtische Kunsthalle, Verlag R.Meyer, 1992
Bill Viola. ed. Alexander Pühringer, Salzburg: Salzburger
Kunstverein, Verlag Ritter Klagenfurt, 1994
Bill Viola: Buried Secrets. Tempe AZ: Arizona State University
Art Museum, in association with the Kestner-Gesellschaft, Hannover 1995
Boston Celebrations. March 18 - April 29, Cambridge MA: MIT
Press, 1975
California Perceptions: Light and Space. Selections from the
Wortz Collection. Fullerton: California State University, Fullerton Art
Gallery, 1979
Common Ground: Five Artists in the Florida Landscape. Sarasota
FL: The John and Mable Ringling Museum of Art, 1982
Devil's Gate Transformation: A Refuge for Pasadena. Pasadena
CA: Pasadena Gallery of Contemporary Art and Art Center College of Design,
1987
Earth Art. Ithaca NY: Andrew Dickson White Museum of Art, Cornell
University, 1969
Earthworks: Land Reclamation as Sculpture. Seattle WA: Seattle
Art Museum, 1979
Earthworks: Land Reclamation as Sculpture - Technical Report.
King County Arts Commission, Seattle WA, 1981
Elements: Earth, Air, Fire, Water. Bosto MA: Boston Museum of
Fine Arts, 1971
Explorations. Washington D.C.: National Collection of Fine Arts,
Smithsonian Institution, 1970
Fragile Ecologies: Contemporary Artists' Interpretations and Solutions.
ed. Barbara C. Matilsky. New York: Rizzoli International Publications in
association with the Queens Museum of Art, 1993
Framing and Being Framed, 7 works 70-75. Halifax: Nova Scotia
College of Art and Design, 1975
Future Garden. Teil I. Die gefährdeten Wiesen Europas.
Helen Mayer Harrison, Newton Harrison und Harrison Studio. Bonn: Kunst-
und Ausstellungshalle der Bundesrepublik Deutschland, 1996
Grand Rapids Project: Robert Morris. Grand Rapids Art Museum,
Grand Rapids MI, 1975
Green Heart Vision. Newton Harrison, Helen Mayer Harrison and
The Harrison Studio with The Green Heart Harrison Studio, Del Mar: The
Harrison Studio, in association with the Cultural Council and Province
of South Holland, Den Haag, Netherlands, 1995
Guadelupe Meander - A Refugia for San Jose. Helen and Newton
Harrison.San Jose CA: San Jose State University, 1983
György Kepes: MIT Years 1945-1977. Cambridge MA: MIT Press,
1978
Hans Haacke: Volume I. Oxford/Eindhoven: Museum of Modern Art/Stedelijk
van Abbemuseum, 1984
Hans Haacke: Vol. II, Works 1978-1983. Tate Gallery/Stedelijk
van Abbemuseum, London/ Eindhoven, 1984
Helen Mayer Harrison and Newton Harrison - Baltimore Promenade.
Baltimore MD: Maryland Institute/Baltimore College of Art, 1981
James Turrell: Light and Space. Whitney Museum of American Art,
New York, 1981
Jim Turrell. Stedelijk Museum, Amsterdam, 1976
Light, Motion, Space. Minneapolis: Walker Art Center, 1967
Lloyd Hamrol: Works, Projects, Proposals. Los Angeles: Municipal
Art Gallery, 1986
Multiple Interaction Team. Cambridge, MA: Center for Advanced
Visual Studies/MIT, 1972
Nam June Paik: Videa 'n' Videology (1959-1973). Syracuse NY:
Everson Museum of Art, 1974
Nam June Paik, Werke 1946-1976, Musik Fluxus Video. Köln:
Kölnischer Kunstverein, 1976
Nam June Paik: Video Time - Video Space. Basel/Zürich:
Kunsthalle Basel, Kunsthaus Zürich, 1991
New American Landscape. Poughkeepsie NY: Vassar College Art
Museum, 1973
Nine Evenings: Theatre and Engineering. New York: Foundation
for the Performing Arts, 1966 Occluded Front: James Turrell. Los
Angeles: The Museum of Contemporary Art/The Lapis Press, 1985 Otto Piene
und das CAVS. Karlsruhe: Badischer Kunstverein, 1988
Patricia Johanson: Public Landscapes. Philadelphia: Painted
Bride Art Center, 1991
Robert Irwin. Chicago: Museum of Contemporary Art, 1975
Robert Irwin. New York: Whitney Museum of American Art, 1977
Robert Irwin. New York: Rizzoli International Publications,
in association with The Museum of Contemporary Art, Los Angeles, 1993
The Lagoon Cycle. Ithaca and New York: Herbert F.Johnson Museum
/ Cornell University 1985
The Last Time I saw Ferus 1957-1966. Newport Beach: Newport
Harbor Art Museum, 1976
The Machine as Seen at the End of the Mechanical Age. ed. K.G.
Pontus Hultén, New York: Museum of Modern Art, 1968
The Serpentine Lattice. Newton Harrison and Helen Mayer Harrison.
Portland OR and New York: The Douglas F. Cooley Memorial Art Gallery, Reed
College and Ronald Feldman Fine Arts, 1993
SKY ART Conference '81. Cambridge MA: Center for Advanced Visual
Studies/MIT, 1981
Software, Information Technology: Its Meaning for Art. New York:
Jewish Museum, 1970
Some More Beginnings. Brooklyn NY: Brooklyn Museum of Art, 1968
Sonsbeek. Arnhem, Netherlands: Sonsbeek Foundation, 1971
Steina e Woody Vasulka. Video, media e nuove immagini nell'
arte contemporanea. Rome: Palazzo delle Esposizioni, 1995
Steina and Woody Vasulka. Machine Media. San Francisco: San
Francisco Museum of Modern Art, 1996
TV as a Creative Medium. New York: Howard Wise Gallery, 1969
Vasulka. Steina: machine vision/Woody: descriptions. Buffalo
NY: Albright-Knox Art Gallery, 1978
Vision and Television. Foreword by Russel Connor, Waltham MA:
Rose Art Museum, Brandeis University, 1970
III. Articles and Books
Adcock, Graig. "Perceptual Edges: The Psychology of James Turrell's
Light and Space," Arts Magazine, Feb.1985, pp.124-128
Adcock, Graig. "Time: The Visual Parameters of the Roden Crater,"
Occluded Front: James Turrell, Los Angeles: The Museum of Contemporary
Art/The Lapis Press,1985, pp.101-135
Adcock, Graig. James Turrell: The Art of Light and Space, Berkeley/Los
Angeles: University of California Press, 1992
Adcock, Graig. "Conversational Drift. Interview with Helen Mayer
Harrison and Newton Harrison," Art Journal, Summer 1992, pp.35-45
Allen, Jerry. "How Art Becomes Public," Going Public: A Field
Guide to Developments in Art in Public Places, Amherst, MA: Arts Extension
Service/University of Massachusetts, 1988, pp.244-251
Alloway, Lawrence, "Systemic Painting," Systemic Painting, New
York: Solomon R. Guggenheim Foundation, 1966
Alloway, Lawrence. "Robert Smithson's Development," Artforum,
Nov. 1972, pp.53-60
Alloway, Lawrence. "Art," Nation 219, December 21, 1974, p.670
Alloway, Lawrence. An Autobiography of Alan Sonfist, Ithaca
NY: Herbert F. Johnson Museum of Art, Cornell University, 1975
Alloway, Lawrence/Roskill, Mark/Calas, Nicolas. "Systems of
Cross-References in the Arts," Arts Magazine, Summer 1971, p.16
Antin, David. "Television: Video's Frightful Parent," Artforum,
Dec. 1975, pp.36-45
Apel, Karl Otto. Charles S.Peirce - From Pragmatism to Pragmaticism,
Amherst MA: University of Massachusetts Press, 1981
Apter, Michael. "Cybernetics and Art," Leonardo, Vol. 2, No.
33, July 1969, pp.257-265
Ashby, W. Ross. An Introduction to Cybernetics, New York: John
Wiley & Sons, 1958
Ashton, Dore. "Exercises in Anti-Style," Arts Magazine, April
1969, pp.45-47
Atkins, Robert. "The Art World & I Go On Line," Art in America,
Dec. 1995, pp.58-65
Auping, Michael. "Interview with Alan Sonfist," Common Ground:
Five Artists in the Florida Landscape, Sarasota FL: The John and Mable
Ringling Museum of Art, 1982, pp.133-136
Auping, Michael. "Interview with Helen and Newton Harrison,"
Common Ground: Five Artists in the Florida Landscape, Sarasota FL: The
John and Mable Ringling Museum of Art, 1982, pp 98-104
Avgikos, G. "Greenpiece," Artforum, April 1991, pp.104-110
Bachelard, Gaston. The Poetics of Space, Boston: Beacon Press,
1969
Balken, Debra Bricker. "Robert Irwin at Pace," Art in America,
Jan. 1993, p.99
Bateson, Gregory. "The Cybernetics of 'Self': A Theory of Alcoholism,"
Psychiatry, Vol.34, No.1, 1971, pp.1-18
Bateson, Gregory. Steps to an Ecology of Mind, New York: Ballantine/Psychology,
1972
Bateson, Gregory. "Minimal Requirements for a Theory of Schizophrenia,"
Steps to an Ecology of Mind, New York: Ballantine/Psychology, 1972, pp.244-270
Battcock, Gregory [ed.]. Minimal Art: A Critical Anthology,
New York: E.P.Dutton, 1968
Beardsley, John. Probing the Earth: Contemporary Land Projects,
Washington D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution,
1977
Beardsley, John. Earthworks and Beyond, New York: Abbeville
Press, 1984
Beardsley, John [ed.]. Art in Public Places: A Survey of Community
Sponsored Projects, Washington D.C.: Partners for Livable Spaces, 1981
Becker, Howard S./Walton, John [eds.]. "Social Science and the
Work of Hans Haacke," Framing and Being Framed. 7 Works '70-'75, Halifax:
Nova Scotia College of Art and Design, 1975, pp 145-152
Benedikt, Michael [ed.]. Cyberspace: First Steps, Cambridge,
MA: MIT Press, 1991
Belloli, Jay. Arroyo Seco Release/A Serpentine for Pasadena,
Pasadena: Baxter Art Gallery, California Institute of Technology, 1985
Bellour, Raymond. "An Interview with Bill Viola," October, No.
34, Fall 1985, pp.91-119
Bellour, Raymond/Duguet, Anne-Marie[eds.]. Vidéo, Communications,
Vol.48, Paris: Ed.du Seuil, 1988
Bell, Daniel. The Coming of Post-Industrial Society, New York:
Basic Books, 1973.
Benthall, Jonathan. Science and Technology in Art Today, London:
Thames and Hudson, 1972
Benthall, Jonathan. "The Prehistory of the Invisible," Studio
International, Nov. 1969, p.152
Benthall, Jonathan. "Haacke, Sonfist, and Nature," Studio International,
March 1971, pp.95-96
Benthall, Jonathan. "Newton Harrison: big fish in a small pool,"
Studio International, Dec.1971, pp.132-143
Benthall, Jonathan. "Kepes' Center at MIT," Art International,
Vol.19, No.1, Jan. 1975, pp.28-31+49 Berman, Avis. "Public Sculpture's
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Berger, René. "Video and the Restructuring of Myth,"
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1978
Berman, Marshall. All That is Sold Melts Into Air: Modernism
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Bertalanffy, Ludwig von. Perspectives in General System Theory,
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Bienstock, David. A Special Videotape Show, program notes, New
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Bijvoet, Marga. "In Search of Self Through Nature: Art Experiments
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Bijvoet, Marga. "How Intimate Can Art and Technology Really
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John Libbey, 1988, pp.15-37
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Bongartz, Roy. "It's Called Earth Art - And Boulderdash," New
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Boyle, Deirdre. "Interview with Bill Viola," Bill Viola, Paris:
ARC Musée d´Art Moderne de la Ville de Paris, 1983, p.14
Brand, Stewart. The Media Lab: Inventing the Future at MIT,
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Broderick, Peter. "Since Cinema Expanded: Interview With Gene
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Burnham, Jack. Beyond Modern Sculpture, New York: George Braziller,
1968
Burnham, Jack. "Systems Esthetics," Artforum, Sept., 1968, pp.30-35
Burnham, Jack. "Real Time Systems," Artforum, Sept. 1969, pp.49-55
Burnham, Jack. The Structure of Art, New York: George Braziller,
1970
Burnham, Jack. "The Aesthetics of Intelligent Systems," On the
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1970, pp.10-14
Burnham, Jack. "Corporate Art," Artforum, Oct. 1971, pp.68-71
Burnham, Jack. Great Western Salt Works, New York: George Braziller,
1974
Burnham, Jack. "Art and Technology: The Panacea that Failed,"
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Burnham, Linda Frye. "Between the Diaspora and the Crinoline,"
An Interview with Bonnie Sherk, High Performance, Fall 1981, pp.49-51
Butterfield, Jan. "The State of the Real: Robert Irwin Discusses
the Activities of an Extended Consciousness," Arts Magazine, June 1972,
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Butterfield, Jan. "Robert Irwin: On the Periphery of Knowing,"
Arts Magazine, Feb.1976, pp.72-77
Butterfield, Jan. The Art of Light and Space, New York: Abbeville
Press, 1993.
Brigham, Joan. "Reclamation Artists, " Leonardo, Vol. 26, No.
5, 1993, pp.387-395
Cage, John. Silence, Middletown CT: Wesleyan University Press,
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Campbell, Robert/Cruikshank, Jeffrey. "Art in Architecture,"
Designing the Wiesner Building, Cambridge MA: MIT Press, (n.d.), pp.11-24
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Cembalist, R. "The Ecological Art Explosion," Art News, Summer 1991, pp.96-105
Chandler, John Noel. "Hans Haacke: The Continuity of Change,"
Artscanada, June 1969, pp.8-11
Cohen, Harold. "On Purpose: An Enquiry Into the Possible Roles
of the Computer in Art," Studio International, Jan. 1974, pp.9-16
Cruikshank, Jeffrey L./Korza, Pam[eds.] Going Public: A field
guide to developments in art in public places, Amherst, MA: Arts Extension
Service/Visual Arts Program of the National Endowment for the Arts, 1988
Cummings, Paul. "Interview with Robert Smithson for the Archives
of American Art," The Writings of Robert Smithson, ed. Nancy Holt. New
York: New York University Press, 1979, pp.137-156
Daniels, Dieter. "Bill Viola: Installations and Videotapes,"
Kunstforum International, No. 92, December 1987/January 1988, pp.247-250
Davis, Douglas M. "Art and Technology - The New Combine," Art
in America, Jan./Feb. 1968, pp. 28-47
Davis, Douglas. Art and the Future: A History/Prophecy of the
Collaboration between Science, Technology and Art, New York: Praeger, 1973
Davis, Douglas. "Robert Rauschenberg: Technology as Nature,"
Art and the Future, New York: Praeger, 1973, pp.142-145
Davis, Douglas. "Nam June Paik: The Cathode Ray Canvas," Art
and the Future, New York: Praeger, 1973, pp.146-154
Davis, Douglas M. "Conversations with György Kepes, Billy
Klüver and James Seawright, " Art in America, Jan./Feb. 1968, pp.38-45
Davis, Douglas M. "Art and Technology - The New Combine," Art
in America, Jan./Feb. 1968, pp.28-37
Davis, Douglas/Simmons, Allison [eds.] The New Television: A
Public/Private Eye, Cambridge, MA/London: MIT Press, 1978.
Decker, Edith. Paik Video, Köln: DuMont, 1988
Deitsch, Jeffrey. "The New Economics of Environmental Art,"
Art in the Land, ed. Alan Sonfist, New York: E.P.Dutton, 1983, pp.85-91
Denes, Agnes. "Notes on Eco-logic Environmental Artwork, Visual
Philosophy and Global Perspective," Leonardo, Vol.26, No.5, 1993, pp.387-395
Denes, Agnes. The Beginning and the End and Thereafter, Rochester
NY: Visual Studies Workshop, 1989.
Durland, Steve. "Bill Viola: Passages," High Performance, Vol.20,
No.40, 1988, p.84
Drucker, Peter. The Age of Discontinuity, London: Heinemann,
1969
Dunn, David/Vasulka, Woody. "The Theatre of Hybrid Automata,"
ars electronica, Virtuelle Welten, Band II, Linz 1990, pp.265-267
Dunn, David/Vasulka, Woody. "Digital Space: A Research Proposal,"
ars electronica, Virtuelle Welten, Band II, Linz 1990, pp.268-275
Durland, Steven. "defining the image as place - a conversation
with kit galloway, sherry rabinowitz, and gene youngblood" High Performance,
Issue 37, 1987, pp.57-58
Einstein, Albert. The World As I See It, New York: Citadel Press,
1979 (1st ed. 1934)
Ellul, Jacques. The Technological Society, New York: Random
House/Vintage Books, 1964
Esterow, Milton. "How Public Art Becomes a Political Hot Potato,"
Art News, Jan. 1986, pp.75-79
Felshin, Nina. But Is It Art? The Spirit of Art as Activism,
Seattle: Bay Press, 1995
Flusser, Vilém. Ins Universum der technischen Bilder,
Göttingen: European Photography, 1985.
Fried, Michael. "Art and Objecthood," Artforum, Summer 1967,
pp.12-33
Fry, Edward F. Hans Haacke: Werkmonographie, Cologne: DuMont
Kunst-Praxis, 1972.
Fuller, Buckminster R. Operating Manual for Spaceship Earth,
Carbondale, IL: Southern Illinois University Press, 1969
Furlong, Lucinda. "Notes Toward a History of Image-Processed
Video: Steina and Woody Vasulka," Afterimage, Dec.1983, pp.12-17
Furlong, Lucinda. "Getting High Tech: The New Television," The
Independent, Vol.8, No.2, March 1985
Gablik, S. "Toward an Ecological Self," New Art Examiner, Jan.1992,
pp.26-30
Gablik, S. "The Ecological Imparative," Art Journal, Summer
1992, pp.49-51
Gill, Johanna. Video: State-of-the-Art, New York: Rockefeller
Foundation, 1976
Glueck, Grace. "Nature's Boy," The New York Times, Nov.15, 1970
Glueck, Grace. "Art people: The Earth is Their Palette," The
New York Times, April 4, 1980, sect. C, p.24
Goodman, Cynthia. Digital Visions, New York/Syracuse: Harry
N. Abrams/Everson Museum of Art, 1987.
Gribbin, John. In Search of Schrödinger's Cat - Quantum
Physics and Reality, London: Wildwood House, 1984
Gruen, John. "Art Meets Technology," World Journal Tribune,
Magazine Section, New York, October 2, 1966. In: E.A.T Clippings, Vol.1,
No.1, pp.4-5
Haacke, Hans. "Visitors' Profile: A statistical breakdown of
spectators," Software, Information Technology: Its New Meaning for Art,
New York: Jewish Museum, 1970, p.34
Haacke, Hans. "John Weber Gallery Visitors' Profile 1," exhibition
brochure, New York: John Weber Gallery, 1972 (n.p.)
Haacke, Hans. "John Weber Gallery Visitors' Profile 2," exhibition
brochure, New York: John Weber Gallery, 1973 (n.p.)
Haacke, Hans/Boice, Bruce. "Hans Haacke's Gallery Visitors'
Profile," Artforum, June 1973, pp.44-46
Haacke, Hans. "Museums, Managers, and Consciousness," Hans Haacke:
Unfinished Business, New York/Cambridge, MA: The New Museum of Contemporary
Art/MIT Press, 1986, pp.33-40
Hagen, Charles. "Interview with Woody Vasulka," Afterimage,
Summer 1985, pp.20-31
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No.4, 1990, pp.437-439
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'n'Videology, Syracuse, NY: Everson Museum of Art, 1974, (n.p.)
Harrison, Newton. "Sea Grant second narrative and two precedent
works," Studio International, May 1974, pp.234-237
Harrison, Helen Mayer/Harrison, Newton. "Spoils File Reclamation
Project," Artpark, Lewiston, NY: The Program in the Visual Arts, 1977,
pp.40-43
Harrison, Helen Mayer/Harrison, Newton. The Lagoon Cycle, Ithaca,
NY: Herbert F. Johnson Museum of Art, Cornell University, 1985
Harrison, Helen Mayer/Harrison, Newton. "Shifting Positions
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1993, pp.371-387
Harrison, Newton/Harrison, Helen Mayer. "Tibet is the High Ground,"
Environmental Action, July/Aug.1991
Harrison, Newton/Harrison, Helen Mayer. "A Lattice or a Serpentine:
The Beginning of a Conceptual Design," Seattle Arts, Seattle Arts Commission,
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1984
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Cornell University Press, 1981 Hoberman, J. "The Reflecting Pool:
Bill Viola and the Visionary Company," Bill Viola, New York: Museum of
Modern Art, 1987, pp.63-72
Holt, Nancy. "Hydra's Head," Arts Magazine, Jan. 1975, pp. 57-59
Holt, Nancy. "Sun Tunnels," Artforum, April 1977, pp. 32-37
Holt, Nancy. "Stone Enclosure: Rock Rings, 1977-78," Arts Magazine,
June 1979, pp. 152-155
Holt, Nancy. Ransacked, New York: Printed Matter, 1980
Holt, Nancy. "Pipeline," Alaskan Impressions, Anchorage, AL:
The Visual Arts Center of Alaska, 1986
Horwitz, Robert Joseph. "Nature as Artifact: Alan Sonfist,"
Artforum, Nov.1973, pp.32-35
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Beach CA: Long Beach Museum of Art, 1984
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Whitney Museum of American Art, 1977, pp.23-31
Irwin, Robert. Being and Circumstance: Notes Toward a Conditional
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of Contemporary Art, 1993, pp.13-49
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Hans Haacke: Unfinished Business, New York/Cambridge MA: The New Museum
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p.109
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Summer 1967, pp. 62-67
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Cambridge MA: MIT Press, 1956
Kepes, György [ed.] Structure in Art and Science, VISION+VALUE
Series, New York: George Braziller, 1965
Kepes, György. "The Visual Arts and the Sciences: A Proposal
for Collaboration," Daedalus, Vol.94, No.1, 1965, pp.117-133
Kepes, György. "The Lost Pageantry of Nature," Artscanada,
Dec. 1968, pp.33-39
Kepes, György. "Toward Civic Art," Leonardo, Vol.4, No.1,
Winter 1971, pp.69-73
Kepes, György [ed.]. Arts of the Environment, New York:
George Braziller, 1972
Kepes, György. "Art and Ecological Consciousness," Arts
of the Environment, pp.1-12
Kepes, György. "The Artist's Role in Environmental Self-regulation,"
Arts of the Environment, pp.167-191
Kern, Hermann. "Labyrinths: Tradition and Contemporary Works,"
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